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Verkauf des Gemäldes (Theodor Rehbenitz, Christus und die Samariterin am Brunnen, 1817) an die Kunsthalle zu Kiel.
Relationships
Kunsthalle zu Kiel
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Bezüglich des Verkaufs von Gemälden an die Kunsthalle zu Kiel hatte er Kontakt mit Hans Tintelnot. (1959, 1960)
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Kunsthalle zu Kiel
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
seit 22. August bis spätestens 31. Oktober 1940 in der Kunsthandlung. Naubert verkaufte es an die Kunsthalle Kiel. (spätestens am 31.10.1940)
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures