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Verkauf des Gemäldes (Theodor Rehbenitz, Christus und die Samariterin am Brunnen, 1817) an die Kunsthalle zu Kiel.
Relationships
Kunsthalle zu Kiel
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Kunsthalle zu Kiel
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Bezüglich des Verkaufs von Gemälden an die Kunsthalle zu Kiel hatte er Kontakt mit Hans Tintelnot. (1959, 1960)
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Hatte Kontakt zu Hans Tintelnot bezüglich des Ankauf eines Gemäldes von Hans Purrmann für die Kunsthalle zu Kiel (01.1960).
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures
Forschungskontext
Cultural goods confiscated as a result of Nazi persecution
Relationships
Provenance research at the Kunsthalle zu Kiel/paintings and sculptures